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Journals

Previous Editions
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Advisory Board
 

Executive Editor

Johnny Golding, Director, Centre for Fine Art Research (CFAR)

 

Editorial Board

Jakub Ceglarz, Johnny Golding, Lee Hewett, Mattia Paganelli, Henry Rogers, Grace Williams, Dane Worrallo 

 

Research Arts Editors

Mattia Paganelli, Grace Williams, Dane Worrallo

 

Design

Lee Hewett
 

Advisory & Peer Review Board

Yves Abrioux (Professor of English Literature; Univ Paris 8)

Dawn Barrett (President, Massachusetts College of Art; Design Research)

Lieven de Boeck (Fine Artist & Architect  Brussels; New York)                                  

Norman Bryson (Professor of Art History, Theory & Criticism, Univ California San Diego)

John Butler (Professor & Head of the School of Art, BIAD, BCU; Artist and Curator)

Nadežda Čačinović (Professor of Philosophy and Art, Univ Zagreb);                     

Eduardo Cadava (Professor of English, media technologies and theories of translation, Princeton);                  

Howard Caygill (Professor of Modern European Philosophy, Kingston Uni)

Norbert Finzsch (University Professor & Director of the Anglo-American Abteilung des Historischen Seminars, Universität zu Köln)

Johnny Golding (Professor of Philosophy & Fine Art & Director of Centre for Fine Art Research, Birmingham School of Art, Birmingham City Uni)

Beryl Graham (Professor of New Media Art, Sunderland Univ; co-founder, CRUMB)

Fox Harrell (Associate Professor, Computational (interactive & generative) narrative; Artificial Intelligence & the arts; Computing and Media Artist, MIT)

Steve Kennedy (Political Philosopher & DJ / Composer, Univ Greenwich, London)

Olga Kisselva (Professor & Artist University of Paris 1 Pantheon-Sorbonne; Rabouan-Moussion Gallery [Paris]; Jozsa Gallery [Brussells]; Arka Gallery [Vladivostok, Russia])

Arthur Kroker (Canada Research Chair in Technology, Culture & Theory, Prof of Political Science & Director of PACTAC, Victoria Univ Canada)

Marilouise Kroker (Senior Research Scholar Univ of Victoria, co-editor, c-Theory)

Sylvère Lotringer (The Jean Baudrilliard Chair at the European Graduate School EGS & Professor Emeritus of French Literature & Philosophy, Columbia University)

Jo Longhurst (Artist, London)

Tim Marshall (Provost, The New School University, New York; Design Research);

John Mullarkey (Professor of Film and Video, Kingston University)    

Simon O’Sullivan (Reader Visual Cultures, Goldsmiths)

Steve Ouditt (Professor & Artist, Trinidad y Tobago Univ);

Salvatore Puglia (Artist, Napoli)

Jane Rendell (Professor of Architecture & Art, The Bartlett School of Architecture, UCL London);

Martin Reinhart (Artist / Experimental Engineer, Vienna)

Dick Rijken (Professor of Music and Director, STEIM, Amsterdam)

Henry Rogers (Artist & Director, Arts Based Masters Programme, ADM, Birmingham City University)

Daniel Rubinstein (Visual Theorist / Philosopher, Head of MA Photography, Central St Martins University of the Arts, London)

Ken Sen Ong (Artist, Singapore/Berlin)

Marq Smith (Director, Institute for Modern & Contemporary Culture, Univ Westminster, London)

Lynn Turner (Visual Cultures, Goldsmiths)

Matias Viegener (Performance Artist & Queer Theorist, CalARTS, Los Angeles)

 

 

Zētēsis
 
Zētēsis: Research generated by curiosity is an international Journal for Fine Art, Philosophy and the Wild Sciences, produced by ARTicle Press. For more information visit the Zētēsis website by clicking here
 
Current Edition
The Cruelty of the Classical Canon Vol. 1 No. 1
 

With this debut volume of Zetesis, the artists, philosophers, designers, technicians and scientists involved with this project and committed to an ‘old fashioned’ kind of research – that which is generated by a curiosity and deep commitment to know (the whatever) – declare a new Daybreak.

 

It is one that intends to take as a given, complexity and the irrational/imaginary in art and the sciences, physics and metaphysics, culture and its economies, skin and the pleasures of the flesh. It steps to the atonal rhythms of the mimetic patterns of camouflage and the flâneur. It aligns itself with the history of those who were (and remain) willing to ask and act upon this basic question: Supposing it could be otherwise, what would this otherwise look like, become, be, now?

 

£10.00

Wet ⇌ Dry ⇌ Thick ⇌ Thin ⇌ (Getting beyond the Raw and the Cooked)
 

Vol 1. No.2 is now available in print.

 

£15.00

 

Beyond the Cooked and the Raw: Abjection and art as transgression | Estelle Barrett

The Japanese Jewel Beetle: A painter’s challenge | Franziska Schenk, Bodo D. Wilts and Doekele G. Stavenga

Painting. Materials. Matters. Pip Seymour in conversation with the painter Yvonne Hindle | Yvonne Hindle

The Archive and Public Art: Archiving the materialities of our times | Sian Everitt Vaughan

Material: Photography: Art that draws on, with, and against photography | Andrea Jespersen

[Un]common Sense and [Un]disciplined Gestures | Sheena Calvert

There is a gardener that works night and day... | David Cheeseman

Through the Looking Glass: The cryptesthesia of photography | Grace Williams

The Anti-Materialist Ontology of Mystical Realism: How speculation can work against the speculative absolute | Ole Hagen

At Every Given Moment | Dane Worrallo

Pixelpaisleyportal: The materialisation of imagination in 8 pixelated steps| Jennifer Wright

Becoming Grey (the unending of) | Samira Nejad 

Preface: We Libidinal Economists! Daybreak: version √2 | Johnny Golding

The Paradoxical Economy of Crisis | Mattia Paganelli

The 9th Technology of Otherness | Johnny Golding

Discourse in a Coma | Daniel Rubinstein

Tape Plays Teletribunals | Lynn Turner

Becoming Gay | Norbert Finzsch

All about my Mother’s Shame | Henry Rogers

Echostate | Stephen Kennedy

A Paradoxical Architecture | Hannah Lammin

Mimetic Rationality | Mark Walker

Intimate Strategies | Perry Zurn

She-wolf | Sarah Mann-O'Donnell

Jennuflectings II | Virgil Brower

 

Regrettee Norm | Meryl Donoghue

Guilt is a Terrible Ghost | Meryl Donoghue

TALEPIEJ | Jakub Ceglarz

Imagination Constructs | Liam Worth

Queer Anatomy | Hannah Honeywill

My body is Your Body | AMAE

 

Johnny Golding (Series Editor) / Prelude

David Cheeseman / Once Ever After: Twice Removed

Martin Reinhart / Spirited Away

Gregory Leadbetter / Clone

Jakub Ceglarz / Fatima, 2014

Joscelyn Gardner / Creole Portraits III

Susan J May / Mobilising Mob Mentality: The Miracle of the Relic of Saint Andrew

Grace Williams / Escamotage ~ Sleight of hand, Trickery, Conjuring, Vanishing

Jivan Astfalck / Rosa Rubea Homuncula

Ron Athey / Self Obliterations I&II

John Mowitt / Hegel and Hambone?

Rachael Colley / Spurious Luxus

Micah Silver / Sound, Audio, Music // Physics, Imaginaries, Intentions

Russell Nachman / Palimpsest

Mattia Paganelli and Dane Worrallo / Eleven Theses for an Initial Degree of Roughness: Transubstantiation, Materiality and Art

Irene Brown / Phantasmagoria Electric

Twice Upon a Time: Magic, Alchemy and the Transubstantiation of the Senses
 

Vol 2. No.1 is now available in print.

 

£15.00

 

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